نوع مقاله : مقاله پژوهشی
نویسنده
کارشناسی ارشد پژوهش هنر و مدرس مدعو دانشگاه جامع علمی کاربردی نقش جهان اصفهان.
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
Although the term postmodernism is repeatedly used by the writers and even critics in Iran however due to the unfamiliarity as to its true origins, principles and features of this literary genre, believing in such a movement in fiction in this country is always discernible. As to descry certain features as a basis according to which one can determine whether a work is postmodern or not and whether those features were adopted merely as a universal model together with the question whether these texts to the same measure that they are deconstructive, do they remain fiddle to the endemic possibilities of Farsi language and its past, are among the main questions this research and analysis is aimed at answering.
The following works of Hooshang Golshiri short stories such as ”the night of doubt’, “A man with a red tie”, “A picture for my empty frame”, “The first innocent”, and “the garden’s prisoners” and long stories and novels like “Prince Ehtejab”,“Christian and Kayd”, and “ the mirrors with doors” were selected for this purpose.
کلیدواژهها [English]
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